Read Die Verfolgung und Ermordung Jean Paul Marats (Edition Suhrkamp, Nr. 68) by Peter Weiss Free Online
Book Title: Die Verfolgung und Ermordung Jean Paul Marats (Edition Suhrkamp, Nr. 68)|
The author of the book: Peter Weiss
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Loaded: 2292 times
Reader ratings: 7.3
Date of issue: December 8th 2005
ISBN 13: 9783518100684
Format files: PDF
The size of the: 15.45 MB
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The Persecution and Assassination of Jean-Paul Marat, as Performed by the Inmates of the Asylum of Charenton, Under the Direction of the Marquise de Sade.
Isn't that it? Maybe spelling errors.
I saw this play performed at Arena Stage in Washington D.C. somewhere around 40 years ago. It was a great production of a very interesting play, which was all the rage back then. I should probably take another look at it, seeing as I now know at least a bit more about the French Revolution, which is the context of the play. The edition I have is not available on Goodreads, it was published by Atheneum in 1968, with the English version of the play done by Geoffrey Skelton.
What I find amazing, given my memory, is that the full title of the play has stuck with me all these years. Must have been pretty catchy, I guess. How could anyone forget it?
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Read information about the authorPeter Ulrich Weiss was a German writer, painter, and artist of adopted Swedish nationality. He is particularly known for his play Marat/Sade and his novel The Aesthetics of Resistance.
Weiss' first art exhibition took place in 1936. His first produced play was Der Turm in 1950. In 1952 he joined the Swedish Experimental Film Studio, where he made films for several years. During this period, he also taught painting at Stockholm's People's University, and illustrated a Swedish edition of The Book of One Thousand and One Nights. Until the early 1960s, Weiss also wrote prose. His work consists of short and intense novels with Kafkaesque details and feelings, often with autobiographical background. One of the most known films made by Peter Weiss is an experimental one, The Mirage (1959) and the second one - it is very seldom mentioned - is a film Weiss directed in Paris 1960 together with Barbro Boman, titled Play Girls or The Flamboyant Sex (Schwedische Mädchen in Paris or Verlockung in German). Among the short films by Weiss, The Studio of Doctor Faust (1956) shows the extremely strong link of Weiss to a German cultural background.
Weiss' best-known work is the play Marat/Sade (1963), first performed in West Berlin in 1964, which brought him widespread international attention. The following year, legendary director Peter Brook staged a famous production in New York City. It studies the power in society through two extreme and extremely different historical persons, Jean-Paul Marat, a brutal hero of the French Revolution, and the Marquis de Sade, for whom sadism was named. In Marat/Sade, Weiss uses a technique which, to quote from the play itself, speaks of the play within a play within itself: "Our play's chief aim has been to take to bits great propositions and their opposites, see how they work, and let them fight it out." The play is considered a classic, and is still performed, although less regularly.
Weiss was honored with the Charles Veillon Award, 1963; the Lessing Prize, 1965; the Heinrich Mann Prize, 1966; the Carl Albert Anderson Prize, 1967; the Thomas Dehler Prize, 1978; the Cologne Literature Prize, 1981; the Bremen Literature Prize, 1982; the De Nios Prize, 1982; the Swedish Theatre Critics Prize, 1982; and the Georg Büchner Prize, 1982.
A translation of Weiss' L'instruction (Die Ermittlung) was performed at London's Young Vic theater by a Rwandan company in November 2007. The production presented a dramatic contrast between the play's view on the Holocaust and the Rwandan actors' own experience with their nation's genocide.