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Ebook New and Selected Poems of Thomas Lux: 1975 - 1995 by Thomas Lux read! Book Title: New and Selected Poems of Thomas Lux: 1975 - 1995
The author of the book: Thomas Lux
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Reader ratings: 5.1
Edition: Houghton Mifflin Harcourt
Date of issue: April 15th 1997
ISBN: 0395858321
ISBN 13: 9780395858325
Language: English
Format files: PDF
The size of the: 39.21 MB

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Thomas Lux's poems embody the sound of deep emotions lightly carried. In their deft, sometimes humorous fashion they unseat the spirit, fastening on the rueful and mysterious poignancies of our lives, like that unopened bottle of maraschino cherries abandoned in the refrigerator, or cocking a snook at the dreadful challenges of commercial leech farming today. For the past twenty-five years, Lux's work has grown from his early experiments in surrealism into a body of work that, while challenging the mind and affecting the funnybone, is designed to touch the heart, a destination Lux attains with the utmost precision and delicacy. This book for the first time brings together in one volume the best of his mature work.


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Ebook New and Selected Poems of Thomas Lux: 1975 - 1995 read Online! Acclaimed poet and teacher Thomas Lux began publishing haunted, ironic poems that owed much to the Neo-surrealist movement in the 1970s. Critically lauded from his first book Memory’s Handgrenade (1972), Lux’s poetry has gradually evolved towards a more direct treatment of immediately available, though no less strange, human experience. Often using ironic or sardonic speakers, startlingly apt imagery, careful rhythms, and reaching into history for subject matter, Lux has created a body of work that is at once simple and complex, wildly imaginative and totally relevant. Lux is vocal about the tendency in contemporary poetry to confuse “difficulty” with “originality.” In an interview with Cerise Press, Lux stated: “There’s plenty of room for strangeness, mystery, originality, wildness, etc. in poems that also invite the reader into the human and alive center about which the poem circles.” Known for pairing humor with sharp existentialism, Lux commented in the Los Angeles Times, "I like to make the reader laugh—and then steal that laugh, right out of the throat. Because I think life is like that, tragedy right alongside humor."

Born in Northampton, Massachusetts in 1946 to working class parents, Lux attended Emerson College and the University of Iowa. Lux’s first collections, including Memory’s Handgrenade and Sunday: Poems (1979), were grounded in the Neo-Surrealist techniques of contemporaries like James Tate and Bill Knott. Contemporary Poets contributor Richard Damashek wrote that Lux’s early work was "intensely personal…tormented and tortured, full of complex and disjointed images reflecting an insane and inhospitable world." Such early Lux’s poems were often portraits of a “solo native…always strange to the world," observed Elizabeth Macklin in Parnassus, "always on the verge of extradition, always beset with allergies to the native element, 'like a simple vase not tolerating water.'" With Half Promised Land (1986), Lux began the turn that characterizes much of his later work. The book foregoes many of the surrealist techniques of Sunday and focuses instead on an increasingly careful and accurate depiction of the real world. In later books like The Drowned River (1990) and the Kingsley-Tufts award winning Split Horizon (1994), Lux utilizes a conversational tone to describe what one reviewer called the “invisible millions” populating the poems. Describing his own progress in an interview with the Cortland Review, he said: “I kind of drifted away from Surrealism and the arbitrariness of that. I got more interested in subjects, identifiable subjects other than my own angst or ennui or things like that. I got better and better, I believe, at the craft. I paid more and more attention to the craft. Making poems rhythmical and musical and believable as human speech and as distilled and tight as possible is very important to me. I started looking outside of myself a lot more for subjects. I read a great deal of history, turned more outward as opposed to inward.”

Lux’s other collections include New and Selected Poems: 1975-1995 (1997), The Street of Clocks (2001), The Cradle Place (2004) and God Particles (2008), a collection Elizabeth Hoover described as “lucid and morally urgent” in the Los Angeles Times. Thomas Lux taught at Sarah Lawrence for over twenty years and is affiliated with the Warren Wilson MFA program; currently the Bourne chair in poetry at the Georgia Institute of Technology, he is a renowned teacher. In the Cortland Review interview, he described teaching’s greatest rewards: “you see people get excited by poetry. You see their lives changed by poetry. You see someone beginning to learn how to articulate and express themselves in this very tight art form, in this very distilled manner. You see all sorts and hear all sorts of really human stuff, really human business.” His many awards and honors include the Kinglsley Tufts Poetry Award, a Guggenheim fel


Reviews of the New and Selected Poems of Thomas Lux: 1975 - 1995


MASON

Light fiction for Cloudy day

IMOGEN

I really hated the book.

CHARLES

Why do I need to specify a phone number?

ANNABELLE

Total disappointment




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