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Book Title: The Family|
The author of the book: Mario Puzo
City - Country: No data
Loaded: 1453 times
Reader ratings: 3.2
Date of issue: September 3rd 2002
ISBN 13: 9780061032424
Format files: PDF
The size of the: 2.97 MB
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The Barnes & Noble Review
After a visit to the Vatican in 1983, Mario Puzo, bestselling author of The Godfather and Omerta , "was so enchanted by the look, the feel and food of Italy, so taken by its history," Carol Gino explains, "that he wanted to write a novel about it." Nearly 20 years in the making, The Family is that novel.
Set in Rome in the last years of the 15th century, Puzo's final book (completed by Gino, his companion for many years) is an absorbing, highly entertaining, fictional account of the rise and rule -- and eventual fall -- of that notorious first family of dysfunction during the Renaissance, the Borgias. Fast-paced and well researched, The Family -- in its effort to make such scandalous characters as the Borgias more human -- may well be the most ambitious novel of Puzo's career.
Cardinal Roderigo Borgia is charismatic and handsome, a born leader and a perfidious man of the cloth who ascends to the papacy as Pope Alexander VI in 1492, when Italian city-states are competing for land and the Vatican is competing for souls. He is also the loving father of four children, two of whom become pawns in their father's implacable drive for power. Cesare, Roderigo's oldest son, grows from an insecure cardinal to a fierce military leader; and Lucrezia, Roderigo's beautiful, seductive daughter -- and her father's favorite (not to mention her brother's incestuous bedmate) -- becomes the marriage link that unites nations and divides hearts. Throughout Roderigo's wheeling and dealing, the Renaissance is in full swing as religion competes against humanism and the Church seeks autonomous control of what will one day become a united Italy. As in E. L. Doctrow's Ragtime and Glen David Gold's Carter Beats the Devil, historical figures pepper the narrative. Michelangelo, Machiavelli, Leonardo da Vinci (whose military inventions help Cesare kick some serious tail), and Ferdinand and Isabella all make guest appearances, though at times they seem more like window dressing than actual characters.
While this blood-is-thicker-than-water tale is more summative than explorative (you don't really get into the heads of the Borgias as well as you do the Corleones), Puzo still knows how to tell a good story. The Family is an energetic novel, filled with enthusiasm and affection for the subject matter and the characters. Puzo's swan song may not be his finest work, but it is a robust, passionate love letter to a land, a history, and a culture that defined him as a writer and a man. (Stephen Bloom)
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Read information about the authorPuzo was born in a poor family of Neapolitan immigrants living in the Hell's Kitchen neighborhood of New York. Many of his books draw heavily on this heritage. After graduating from the City College of New York, he joined the United States Army Air Forces in World War II. Due to his poor eyesight, the military did not let him undertake combat duties but made him a public relations officer stationed in Germany. In 1950, his first short story, The Last Christmas, was published in American Vanguard. After the war, he wrote his first book, The Dark Arena, which was published in 1955.
At periods in the 1950s and early 1960s, Puzo worked as a writer/editor for publisher Martin Goodman's Magazine Management Company. Puzo, along with other writers like Bruce Jay Friedman, worked for the company line of men's magazines, pulp titles like Male, True Action, and Swank. Under the pseudonym Mario Cleri, Puzo wrote World War II adventure features for True Action.
Puzo's most famous work, The Godfather, was first published in 1969 after he had heard anecdotes about Mafia organizations during his time in pulp journalism. He later said in an interview with Larry King that his principal motivation was to make money. He had already, after all, written two books that had received great reviews, yet had not amounted to much. As a government clerk with five children, he was looking to write something that would appeal to the masses. With a number one bestseller for months on the New York Times Best Seller List, Mario Puzo had found his target audience. The book was later developed into the film The Godfather, directed by Francis Ford Coppola. The movie received 11 Academy Award nominations, winning three, including an Oscar for Puzo for Best Adapted Screenplay. Coppola and Puzo collaborated then to work on sequels to the original film, The Godfather Part II and The Godfather Part III.
Puzo wrote the first draft of the script for the 1974 disaster film Earthquake, which he was unable to continue working on due to his commitment to The Godfather Part II. Puzo also co-wrote Richard Donner's Superman and the original draft for Superman II. He also collaborated on the stories for the 1982 film A Time to Die and the 1984 Francis Ford Coppola film The Cotton Club.
Puzo never saw the publication of his penultimate book, Omertà, but the manuscript was finished before his death, as was the manuscript for The Family. However, in a review originally published in the San Francisco Chronicle, Jules Siegel, who had worked closely with Puzo at Magazine Management Company, speculated that Omertà may have been completed by "some talentless hack." Siegel also acknowledges the temptation to "rationalize avoiding what is probably the correct analysis -- that [Puzo] wrote it and it is terrible."
Puzo died of heart failure on July 2, 1999 at his home in Bay Shore, Long Island, New York. His family now lives in East Islip, New York.
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